{"id":3598,"date":"2019-03-15T16:54:43","date_gmt":"2019-03-15T16:54:43","guid":{"rendered":"https:\/\/www.centroitalianofirenze.com\/corsi\/editing-and-storytelling-monthly\/"},"modified":"2024-11-20T11:56:44","modified_gmt":"2024-11-20T11:56:44","slug":"editing-and-storytelling","status":"publish","type":"corso","link":"https:\/\/www.centroitalianofirenze.com\/en\/corso\/editing-and-storytelling\/","title":{"rendered":"Photo Editing and Storytelling Course (monthly)"},"content":{"rendered":"

If you love Photography, you may know that the term \u201cStorytelling\u201d is a recent one, but not the art of telling stories through images \u2013 an indispensable ability for anyone working in this field, which you can learn and develop with us in the Photo Editing and Storytelling monthly course. Using this skill, you\u2019ll be able to integrate yourself more easily into the workplace, in the areas of both journalism and advertising, as well as evolving your own personal poetic narrative.<\/p>\n

Follow with us an educational journey, through the art of storytelling through imagery, which focuses on the study and understanding of the construction and putting together of a static film, a narration through photography that will enable you to offer your work for any end, either commercial or personal.<\/p>\n

You\u2019ll participate in a serious and professional Editing and Storytelling course, aimed at both beginners and professional photographers.<\/p>\n

You\u2019ll learn to bring out the facts by transmitting a pathos worthy of a playwright, with parallels, symbolism and metaphors, transforming something that was to be a simple news article, into something more like a work of literature. This is a technical and artistic skill that involves various different fields, including photography, with a particular focus on photojournalism.<\/p>\n

Program<\/strong><\/h2>\n

The Objective:<\/strong><\/p>\n

Commercial path.<\/p>\n

Authorial path.<\/p>\n

The central idea: Conceiving a photographic project and developing the theme.<\/p>\n

Subject, arguments and themes.<\/p>\n

Awareness of the story\u2019s central idea.<\/p>\n

The intention: Aesthetic, Documentative, Conceptual.<\/p>\n

The Photographic Shoot:<\/strong><\/p>\n

The central idea behind the shoot.<\/p>\n

The intention of the photographic shoot.<\/p>\n

The Photographer\u2019s Analysis:<\/strong><\/p>\n

First edit, emotional choice.<\/p>\n

Second edit, conceptual choice.<\/p>\n

Thesis, Antithesis and Synthesis:<\/strong><\/p>\n

Analysis of the narrative structure of \u201cAmerican Photographs\u201d by Walker Evans.<\/p>\n

Eisenstein Montage Theory:<\/strong><\/p>\n

Montage of Attractions.<\/p>\n

Intellectual Montage.<\/p>\n

The Dialect of Opposites:<\/strong><\/p>\n

Analysis of the narrative structure of \u201cThe Americans\u201d by Robert Frank.<\/p>\n

Reduction and Edition:<\/strong><\/p>\n

The Pile, The Group, The Series, The Sequence.<\/p>\n

Editing for Construction or Destruction.<\/p>\n

Pillars and Partitions.<\/p>\n

Choosing the narrative structure:<\/strong><\/p>\n

Aesthetic, Documentative, Conceptual.<\/p>\n

Choosing the philosophy of the narrative:<\/strong><\/p>\n

Descriptive narrative assumptions, chronological temporal, emotional poetic, formal aesthetic, conceptual.<\/p>\n

Progression of Sequence:<\/strong><\/p>\n

Static, Cyclic, Sliding, Incongruous<\/p>\n

The Rhythm of Sequence:<\/strong><\/p>\n

Regular, Syncopated, Irregular<\/p>\n

The Three Unities – Aristotle:<\/strong><\/p>\n

Unity of Action, Unity of Place, Unity of Time<\/p>\n

Classical Order:<\/strong><\/p>\n

Introduction, definition of context, opening, build-up of history or conflict, continuation, climax, resolution, closure.<\/p>\n

Presentation of a Photographic Portfolio:<\/strong><\/p>\n

Title, Text, Captions.<\/p>\n

Mounting of a Photographic Exhibition.<\/p>\n<\/div>
Ask for information:

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