{"id":3572,"date":"2019-03-14T15:36:39","date_gmt":"2019-03-14T15:36:39","guid":{"rendered":"https:\/\/www.centroitalianofirenze.com\/corsi\/fine-art\/"},"modified":"2024-12-03T12:50:34","modified_gmt":"2024-12-03T12:50:34","slug":"fine-art-photography","status":"publish","type":"corso","link":"https:\/\/www.centroitalianofirenze.com\/en\/corso\/fine-art-photography\/","title":{"rendered":"Fine Art Photography Course"},"content":{"rendered":"

Learn every aspect of photographic practice, in its many facets, thanks to the Professional Fine Art Photography course. Acquire all the technical skills, from shooting to post-production, to get yourself inside the market with a high level of professionalism, or even just to deepen this passion at an enhanced level.<\/p>\n

Master the solid practical and theoretical foundations of both Digital and Analogue photography, and move towards the world of professionalism with this Professional Photography course !<\/p>\n

You\u2019ll use both digital and analogue cameras, you\u2019ll get to learn the History of Photography,<\/p>\n

artistic composition, films, development, the pre-visualization of the image, and at the end of the course you\u2019ll create your group-theme project, culminating in a final exhibition of the works produced during the academic year.<\/p>\n

Program:<\/strong><\/h2>\n

The Camera<\/strong><\/p>\n

The Darkroom.<\/p>\n

The various different types of camera, and their formats.<\/p>\n

The Large Format camera.<\/p>\n

The Reflex camera.<\/p>\n

The Rangefinder camera.<\/p>\n

The Diaphragm (Aperture).<\/p>\n

The Shutter.<\/p>\n

The Lens and its characteristics.<\/p>\n

The History of Photography<\/strong><\/p>\n

The origins of photographic processing.<\/p>\n

Niepce , Daguerre, Fox Talbot.<\/p>\n

The revolution of Collodion wet plate.<\/p>\n

Silver gelatin and modern photography.<\/p>\n

Pictorialism.<\/p>\n

The pioneers of Photojournalism.<\/p>\n

Mattew Brady, Timothy O\u2019Sullivan.<\/p>\n

Pure photography.<\/p>\n

Alfred Stieglitz, Edward Weston, Paul Strand.<\/p>\n

Ansel Adams and the f\/64 group.<\/p>\n

The genius of Man Ray and Laslo Moholy-Nagy.<\/p>\n

The artistic odyssey of Walker Evans, Robert Frank and Lee Friedlander.<\/p>\n

The Magnum Agency and the new Photojournalism.<\/p>\n

French humanist photography: Bresson, Ronis, Brassai, Doisneau.<\/p>\n

The metaphoric photography of Minor White.<\/p>\n

The Chicago School.<\/p>\n

The new photography of American Landscape: Lewis Baltz, Robert Adams, Stephen Shore, William Eggleston.<\/p>\n

The 70\u2019s in Italy: Mario Giacomelli, Guido Guidi, Mario Cresci, Franco Vaccari, Luigi Ghirri.<\/p>\n

Film and Exposure<\/strong><\/p>\n

Black and White film: characteristics and composition.<\/p>\n

Film sensitivity.<\/p>\n

Film grain.<\/p>\n

Film formats.<\/p>\n

Roll-film and flat film.<\/p>\n

Spectral sensitivity.<\/p>\n

Exposure in analogue photography.<\/p>\n

Correct exposure of a photo taking into account light intensity: The Sunny 16 Rule.<\/p>\n

Daylight.<\/p>\n

Quality of Daylight.<\/p>\n

Artificial Light.<\/p>\n

Exposure with Flash.<\/p>\n

Light-meter and its correct use.<\/p>\n

Reading the Grey Card.<\/p>\n

Exposure Values.<\/p>\n

Infrared film and its use.<\/p>\n

Exposure factors.<\/p>\n

Reciprocity rule.<\/p>\n

The K Factor.<\/p>\n

Theory and Practice of Architectural photography, Photojournalism, Still-Life and Narrative Art.<\/p>\n

The Darkroom: Development processes<\/strong><\/p>\n

Developing black and white roll film.<\/p>\n

Developing Large Format film.<\/p>\n

Exposure scales and paper grades.<\/p>\n

Graduated photographic printing papers.<\/p>\n

Multigrade printing papers.<\/p>\n

Gloss and Fiber-based papers.<\/p>\n

Contact printing: tests.<\/p>\n

Printing enlargements.<\/p>\n

Pre-exposure in printing.<\/p>\n

Condenser Enlarger v Diffuser Enlarger.<\/p>\n

The Darkroom: Advanced Techniques<\/strong><\/p>\n

Pre-visualisation of the image<\/p>\n

Ansel Adams\u2019 Zone System<\/p>\n

Dynamic Gamma and Superficial Gamma<\/p>\n

Exposure with the Zone System<\/p>\n

Elements of Sensitometry<\/p>\n

Photo Filters \u2013 how and when to use them<\/p>\n

Pre-exposure<\/p>\n

Fine grain v High acutance Developers<\/p>\n

Pyrogallol development<\/p>\n

Pushing and Pulling<\/p>\n

Dodging and Burning<\/p>\n

Developing with Warm tone and Cool tone<\/p>\n

Tints for etching and sulphurization<\/p>\n

Antique print techniques<\/p>\n

Albumen silver printing<\/p>\n

Archive processing of prints and negatives<\/p>\n

Retouching<\/p>\n

Conservation<\/p>\n

Professional course in Fine Art Photography<\/p>\n<\/div>\n

\n\n\n\n\n\n\n\n\n\n\n\n
Duration<\/th>\nPrice \/ person<\/th>\n<\/tr>\n<\/thead>\n
1 month<\/td>\n\u20ac 715<\/td>\n<\/tr>\n<\/tbody>\n
2 months<\/td>\n\u20ac 1375<\/td>\n<\/tr>\n<\/tbody>\n
4 months<\/td>\n\u20ac 2585<\/td>\n<\/tr>\n<\/tbody>\n
9 months<\/td>\n\u20ac 5280<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
Ask for information:

\n\n
\n

<\/p>

    <\/ul><\/div>\n
    \n
    \n\n\n\n\n\n\n\n<\/div>\n
    \n\t